And all this without a Top 40 single, too. But his sense of purpose - impatience, even - has now taken him to a point where he can practically do what he likes he’s inundated with offers of remixing, and several major record labels want to talk contracts. It’s immediately apparent that Richard is a determined bloke. “When it came to getting an act together, I realised that making the stuff and coming up with sounds that no-one else could was my main asset, so I decided to keep working on it.” Half the time it didn’t sample, it just made really good noises - mad stuff - so I’ve got a massive library of sounds from that. It worked for about eight weeks and then packed up. The teachers didn't know what a sampler was, so it was all down to me. “The biggest thing I built was a sampler - it took about a year as a college project. The biggest thing I built was a sampler - it took about a year as a college project. I just made filters and oscillators and stuff. I never made these from magazines I like to do it myself. I started building little modules, and that’s gone on to building whole circuits. “Through customising the stuff I got a working knowledge of the keyboards and the circuitry. Aphex twin selected ambient works 85 92 rar download plus#Plus the fact that I didn't have any money! If I wanted to get anything different, I had to change what I had or make something. When we started secondary school there was an electronic course, so music and electronics went hand in hand. I started customising my keyboards, then changing the components. “I bought a Roland 100M monosynth when I was 13 - it’s like an 101 - but I got really pissed off with it. I’d sync up all the motors and play the tapes back, fluctuating the tape speed to create effects like flanging, chorus and phase-shifting. I did a hell of a lot with those, like creating finished collages of sound that I'd then make, say, five copies of. “I used to make tape loops and put them on ghetto-blaster motors or reel-to-reels that I could get for five quid from junk shops. “I didn't have any equipment when I started,” Richard recalls. In ‘85 and ‘86 he was writing a style of music that would emerge two years later as acid house - pretty much a hint of genius in a guy who claims that, at the time, nothing but mainstream music was available to him. Yes, he does build or modify nearly all his gear yes, he started doing it when he was 12 and yes, he comes from the depths of Cornwall. With Richard’s rise in reputation have come the stories.
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